Power on Trial: What the Live Nation and Google Lawsuits Mean for Creators

This week, two landmark cases put corporate power in the spotlight. The DOJ moved to break up Live Nation and Ticketmaster, accusing them of stifling competition and controlling the live event market. At the same time, a federal court ruled that Google’s ad business violated antitrust laws by favoring its own platforms and limiting fair access. For artists, venues, creators, and digital entrepreneurs, these cases signal a potential shift. As regulators target monopolies in music and media, a more open, competitive landscape could be on the horizon.

Hi there,

In this edition, we’re spotlighting two major legal decisions that could redefine how power operates in music, media, and the digital economy.

The Department of Justice is taking aim at Live Nation and Ticketmaster, accusing them of using their dominance to control ticketing and touring. The proposed breakup could open the market to more artists, venues, and promoters—and reshape how live entertainment works in the U.S.

Meanwhile, Google’s advertising empire is under fire after a federal court ruled it violated antitrust laws. The decision targets Google’s self-preferencing in the digital ad pipeline—a system many creators and online businesses rely on for revenue.

DOJ Sues to Break Up Live Nation and Ticketmaster

In a high-profile antitrust case, the U.S. Department of Justice is seeking to dismantle Live Nation and Ticketmaster, alleging years of monopolistic control over the live event industry. The lawsuit claims the company leveraged its dominance to pressure venues, limit artist choice, and crush competition. Legal analysts say this could be a watershed moment for the touring and ticketing ecosystem, potentially opening new paths for independent artists and promoters.

Court Finds Google’s Ad Business Violated Antitrust Laws

A federal court has ruled that Google illegally abused its dominance in the digital advertising market by favoring its own platforms and excluding competitors. The decision highlights concerns over how ad tech systems are controlled and monetized—and may lead to significant restructuring. For creators, publishers, and brands reliant on ad revenue, the verdict could mark a major shift in how digital income is earned and distributed.

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INDUSTRY NEWS

Pressure Mounts on Live Nation Break Up

The DOJ has filed suit to dismantle Live Nation and Ticketmaster, accusing them of dominating the live event industry and hurting artists, venues, and fans. If successful, the case could reshape how tours are booked and tickets are sold.

Google’s Web Monopoly Days May Be Numbered

A federal court ruled that Google’s ad business violated antitrust laws by favoring its own platforms. The decision could trigger major changes in digital advertising—and how online creators earn revenue.

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Barry Chase, Esq. is an honors graduate of Yale College and Harvard Law School, and the founding partner of ChaseLawyers®. In addition to his entertainment attorney legal practice, Mr. Chase lectures regularly on the representation of media personalities, the legal “do’s and don’ts” of music, television, and film production, and the intricacies of film rights option agreements.

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Alexander Loveyko, Esq. is a New York-licensed attorney and Partner at ChaseLawyers, focusing on intellectual property, entertainment, and Internet law. Based in Miami, he represents creators, Web3 startups, and international talent, advising on IP, licensing, music catalog deals, and immigration matters.

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